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LANDSCAPES
My landscapes are less about geography than about atmosphere — not depictions of place, but translations of feeling. I use colour, texture, and rhythm to build environments that are at once expansive and intimate, drawing on memory, sensation, and the shifting qualities of light and weather.
Each painting is an emotional topography: sometimes luminous and open, sometimes dense and restless. Rather than fixing a single view, I am interested in evoking movement, the way landscapes are never still but constantly shifting in perception and time.
These works invite the viewer into spaces that are both familiar and imagined, asking them to feel the terrain as much as see it — to experience the landscape as a state of mind.
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